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Showing posts with label How To. Show all posts
Showing posts with label How To. Show all posts

Wednesday, 23 March 2011

Screaming Banshee Aircrew @ The Duchess, York 2010
(c) Imago Mortis Photography


Photographing touring bands



Shooting in your local is one thing but there are a few different rules and hazards to look out for at club venues. We tell you the ins and outs of club shooting etiquette.

You’ve maybe had a few good goes at shooting local bands which has made you some friends and contacts, and given you a nice start to your concert portfolio. The next step is getting bigger names in that portfolio. It’s all well and good having a great shot of a band nobody has heard of, but it’s even better if at least someone will recognize them. The fact is that most bands don’t play huge arenas, most play venues no bigger than a secondary school’s assembly hall. This means the door price is low (typically £5-25) and there is no set photographer pit. This has it’s advantages and disadvantages. It doesn’t mean it’s necessary that you have to wrangle your way onto the press list, but you will have to watch out for the crowd.

The crowd are there to have a good time and will typically be indifferent to the plight of the local photographer, so expect to be jostled and your movement to be impaired. Also, don’t expect people to let you get to the front, getting in their early is your best bet for a clear view of the stage and when the place fills up, to move about as best you can without annoying people. The other thing to look out for is security, some clubs don’t allow cameras, so be sure to email ahead of time to get permission (and take the email with you just in case) or else you may be ejected.

The lighting will typically be better quality in a club as well so you can expect more ambiance for your photographs, but also more movement and complex saturation. This can be extremely frustrating for the beginner as moving light will throw your camera out of focus, and over saturate pictures. The trick is to keep shooting. Most bands have a set ‘pose’ list meaning that if you miss a fantastic shot or it’s blurred or over saturated, don’t fret as the performers will usually do it at least once more before the end of the set. They want to look their best in your photos and will almost always play up to the presence of cameras.

One thing that many bands and promoters discourage is the use of flash, whether the built in or external variety. It’s already been mentioned how it may effect your photographs, but it may also effect your reputation. Strong flashes on small or busy stages will get in the eyes of performers - remember they only see a dimly lit crowd, not the full brightness of the stage, so bombarding them with flash is not going to help them visually perceive hazards.

 Inertia @ The Electrowerkz, London 2010
(c) Imago Mortis Photography
Equipment for your camera
 

1) MEMORY CARD You’ll want a good size compact flash card, preferably 8gb and over plus one for backup. To get that one perfect shot you’ll shoot at least ten others that wont make the grade and when shooting in RAW those memory cards fill up quickly. Also remember to delete the outright bad shots between bands.


2) SPARE BATTERY DSLR batteries drain annoyingly quickly. Four bands doing a 30-45 minute set each will drain half of your battery’s life, so a day long festival will quite likely take the lot. Add shooting in RAW to that equation and you’ll soon realise that it is always best to keep a charged spare.


3) UV LENS FILTER Again it’s an optional extra but it can be useful for outdoor festivals in the summer if not in a tent or shooting a covered main stage. This will give you better colour correction when a strong sun would otherwise bleach out colours.


4) TELESCOPIC LENS This one is a very practical option as in festival situations the press pit can get quite far away from the performers. Even standing to the side of the stage in some indoor venues can put you further away from the action than you’d like so if you have the spare cash a good telescopic lens can work wonders and free up your aperture range as well.

5) SOFTWARE Unfortunately unless you own a top of the range camera ISO noise will be a problem. ISO noise occurs in dark patches on the photograph where the camera struggles to get more light. Shooting in RAW and editing in Photoshop, or now for those on a budget Paint Shop Pro X3, will enable you to edit out noise and also give greater control over colour and white balance.
 
Midnight Configuration @ The Electrowerkz, London 2010
(c) Imago Mortis Photography

Part 3 Coming Soon...

Sunday, 20 February 2011

Another old piece from my MA work. This was, in fact, just a small part of a wider essay that I wrote to accompany a portfolio of webzine articles. I have therefore now edited and expanded upon it certain places in order to round it off. I'm posting it in the blog for the future, and hope somebody may yet find it useful... even if they just fish the quotes out of it.


Writing content for online publication shares many of the same key skills as traditional journalism insomuch as the content must be relevant, written in a dynamic and easy to follow manner, and correctly formatted for the medium of publication. The Jennifer Kyrnin article, ‘10 Tips For Good Web Writing’ published on About.com, breaks these down into a list of ten easy to remember rules:

  1. Write relevant content.
2. Put conclusions at the beginning.
3. Write only one idea per paragraph.
4. Use action words.
5. Use lists instead of paragraphs.
6. Limit list items to 7 words.
7. Write short sentences.
8. Include internal sub-headings.
9. Make your links part of the copy.
10. Proofread your work.1

However the first major difference between writing for print and the web is in the formatting of the articles. As in traditional journalism, style guides differ from publication to publication depending on the audience it caters for but many web-based publications today will have accessibility on a global scale in mind. For example, MSN news will keep the sentences short, with one idea per paragraph, use contextual hyperlinks and include sub headings in bold and italic type. The logic behind keeping the style simple and the format easy to navigate is due to articles on a screen being harder to read, and according to the London School of Economics website:

“People who use the web do not behave like people reading a book. They are usually looking for specific information. Web authors must make it easy for them to find what they want.
Studies show that people read online text a lot slower than printed text. Reading from a screen for an extended period of time is generally an unpleasant experience for most users.”2


When taking this into account we can see a definite gap begin to emerge between the styles of the articles written for print and the web. For instance, in the daily newspaper The Independent on the 14th of August 2010, the article Not stopping at the next station – there's no driver, about a runaway maintenance train on the London Underground was featured. On the MSN UK news website, an article on the same subject appeared titled Tube line cleared due to runaway maintenance train. The first major difference is visible in the titles themselves. The Independent article is ambiguous and draws you in, whereas the MSN article is immediate and full of information. One reason behind this is what is known as Search Engine Optimisation – the practice of including certain keywords in articles in order to gain listings in search engines such as Google. Another reason according to Jakob Nielson is that:

“In print, you can spice up linear narrative with anecdotes and individual examples that support a storytelling approach to exposition. On the Web, such content often feels like filler; it slows down users and stands in the way of their getting to the point.”3

This example is best illustrated by the opening paragraphs to each article. In The Independent the opening paragraph is a sentence containing a brief summary of the story with little information yet it uses dramatic words such as “Chaos” and “Hurtled” to peak the reader’s attention.

“A runaway train brought chaos to London Underground yesterday as it hurtled through six stops on the Northern line.”4

However in the MSN article we can immediately see that there is significantly more information included in the opening paragraph, although the overall length of the sentences doesn't differ by much.

“A runaway train went through six stops on a 13-minute journey on the Tube on Friday with other Underground trains having to be cleared out of its path.”5

Another area where web journalism differs from print is in the presentation of articles, which differs significantly in many areas. The principle formats for print articles are broken down into three categories; News, news in brief and features. For online journalists the formats can include these and sub-sections thereof. For instance a feature may be included amongst a web of articles that are connected by hyperlinks. It may be broken down into galleries with photographs providing the lead ins. Audio and video may also be included to give more contextual background and interactivity that doesn't detract from the conciseness of the text. According to Robert Niles, writing for‘The Online Journalism Review, the opportunity is also there to utilise other formats than the web article to create a rapport with the reader by crafting an article that will create a discourse between the writer and the audience.

“Online writers can communicate with their readers in many more forms than the traditional news article. Blogs, ‘Wikis’ and discussion boards dissolve the barrier between writer and reader, creating a more informal and interactive writing environment. Take advantage of this opportunity and distinguish yourself by writing in a clean, active, conversational style that will make your readers feel as comfortable reading your words as they feel when talking with a close friend.”6

Many publications do operate both print and web services; The Independent, for example, includes all the articles available in it's newspaper and magazines and re-prints them on the website. These articles remain unchanged from the way they appear in print form, but are incorporated into the web layout with links to similar articles within the website. This is a common practice among magazines and newspapers that were published in print before adding a digital wing as well. This has the benefit of making the content from previous editions of the publication archival and allowing people, who didn’t purchase the physical copy in time, to go back and find articles.

However some publications have begun to switch over to purely digital content and as such have archived their print editions as pictures in JPG, PDF or Flash formats. These differ in effectiveness as to the search-ability of the content on the web as search engines do not as easily index JPG and Flash files as they do a PDF file. This has led some web publications to also create downloadable PDF versions of their articles as an electronic publication (E-Zine etc.) which can either be sold for a nominal fee or downloaded free of charge. Provided the downloader has a portable computer or tablet to view the document on they no longer need to be connected to that site to view the content.

The final difference is speed. Although a news site may receive a story from the same source as a newspaper, the speed at which they are published differs greatly. A news site like BBC online compared to The Independent can break news within an hour or so of it happening, if not instantly. This is due to the speed at which content is written, checked and published. This is why an initial report will often be short and sketchy on the details, and followed up with several more to clarify things, which is not dissimilar from the way modern rolling TV news operates. As a blog or webzine publication most news will be broken from a press release or taken second hand from another news source. These lead to a lot of repetition on sites as contributor’s copy and paste press releases or directly quote large chunks of other stories in an attempt to break news quickly.
In stark comparison newspapers and magazines may have to wait up to between a day and even a month before the same story can be published. This therefore gives them more time in which to be able to write original content and allow for more clarified information to come through before committing to publication.


With major publications invested in digital content, and new magazines, journals and newspapers increasingly opting for a web or other electronic platform to reach more readers, it is safe to assume that web writing is a skill that all journalists will need in their arsenal in the future. Newly qualified journalists will also have to have an increasing awareness of not only web writing, but also in the construction of websites. Basic skills such ass hyper linking, creating and adding pictures and graphics to HTML will all be part and parcel of prepping articles for publication. That is of course barring the irreversible collapse of the Internet overnight.



End Notes:
1 Kyrnin, Jennifer. 10 Tips For Good Web Writing. (webdesign.about.com/od/writing/a/aa031405.htm)
2 Writing For The Web. (www.lse.ac.uk/resources/webEditorsHandbook/bestPracticeGuide/editorialWriting/writingForTheWeb.htm ) 2009
3 Nielson, Jacob. Writing Style For Print Vs Web. (www.useit.com/alertbox/print-vs-online-content.html ) June 2008
4 Woodman, Peter. Not stopping at the next station – there's no driver. Independent (London), Saturday 14th August 2010. pp 11.
5 Tube line cleared due to runaway maintenance train. (news.uk.msn.com/articles.aspx?cp-documentid=154392333), Saturday 14th August 2010.
6 Niles, Roberts. How To Write For The Web. OJR: The Online Journalism Review (www.ojr.org/ojr/wiki/writing/), March 2008.

Sunday, 10 October 2010

Thornton Abbey, North Lincolnshire:

I love infrared photography. The simple act of blocking all the other wavelengths of light out to create utterly surreal effects within the camera. You can do the same kind of thing on the computer but it is so easy to just slap a filter on your DSLR and have an experiment.



These are admittedly first attempts that I then cleaned up in Lightroom and edited in Paint Shop Pro X2. There is a certain fine-art effect to infrared that I just love and I'm keen to explore it more with live models and Lith Printing to then hand colour. If interested in the same please check out my latest casting call on model mayhem (http://www.modelmayhem.com/casting/848700).

As you can see it was a pretty overcast day so I didn't get the full effect that I was after but they still came out as very dramatic pictures, so in that sense I'm happy with them.

Imago Alchemae: Imago Mortis on Tumblr

 
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